{"id":569,"date":"2017-01-20T17:21:18","date_gmt":"2017-01-20T17:21:18","guid":{"rendered":"http:\/\/www.magistrimediterranei.org\/?post_type=portfolio&#038;p=569\/"},"modified":"2017-03-22T08:26:53","modified_gmt":"2017-03-22T08:26:53","slug":"leturqu-anne","status":"publish","type":"portfolio","link":"https:\/\/www.magistrimediterranei.org\/en\/item\/leturqu-anne\/","title":{"rendered":"Leturque, Anne"},"content":{"rendered":"<div class=\"flex_column av_three_fourth  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_one_fourth  avia-builder-el-first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><div class=\"pos-description\">\n<div class=\"element element-textarea first last\">\n<h1 style=\"text-align: justify;\">Leturque, Anne<\/h1>\n<\/div>\n<\/div>\n<div class=\"pos-summary\">\n<div class=\"element element-textarea first last\">\n<div class=\"pos-description\" style=\"text-align: justify; line-height: 1.5; display: inline !important;\">\n<div class=\"element element-textarea first last\" style=\"display: inline !important;\">\n<h3 style=\"display: inline !important;\">BIOGRAPHY<\/h3>\n<p>Anne Leturque holds a doctorate in the history of medieval art (joint international supervision by the Autonomous University of Barcelona and Paul-Val\u00e9ry University of Montpellier) under the direction of Professors Manuel Castineiras and G\u00e9raldine Mallet.<\/p>\n<p>During her doctoral thesis, Anne Leturque, with the Regional Directorate of Cultural Affairs of Languedoc, and Paul-Val\u00e9ry University (Montpellier Centre for Medieval Studies EA 4583), organized and coordinated the <em>factura<\/em> research program that has now become a collaborative platform [http:\/\/factura-recherche.org]. Curator of the exhibition: <em>Du fragment \u00e0 l\u2019ensemble: les peintures murales de Casesnoves <\/em>[From fragment to ensemble: the murals of Casesnoves], she also co-directed a publication with Mme G\u00e9raldine Mallet entitled \u201cArts picturaux en territoires catalans (XIIe -XIVe si\u00e8cle): approches mat\u00e9rielles, techniques et comparatives\u201d [Pictorial arts in Catalan territories (XIIth-XIVth century): material, technical and comparative approaches], Montpellier, Presses universitaires de la M\u00e9diterran\u00e9e, 2015. She has been a lecturer at Paul- Val\u00e9ry University since 2012.<\/p>\n<p>Starting out as an educator for 11 years, Anne Leturque then carried out double professional retraining: firstly academic, with a professional degree in ancient architecture and restoration techniques, followed by a course in Master 1 and 2 before obtaining a doctorate in medieval art history in November 2015. Secondly, she trained on a more practical basis, as a heritage decoration painter.<\/p>\n<p>She is now a researcher and associate member of the Montpellier Centre for Medieval Studies [http:\/\/cemm.upv.univ-montp3.fr\/equipe\/membres-associes\/anne-leturque] and an independent researcher [https: \/\/lartdepeindre.wordpress .com \/]. She is also a member of the scientific and cultural project at Maison aux Images de Lagrasse (Aude). [http:\/\/rcppm.org\/blog\/].<\/p>\n<\/div>\n<\/div>\n<div class=\"pos-summary\" style=\"text-align: justify; line-height: 1.5;\">\n<div class=\"element element-textarea first last\">\n<h3>PUBLICATIONS<\/h3>\n<ul>\n<li>LETURQUE, A., \u201cSensim per partes discuntur quaelibet artes&#8230; Every art is learned slowly, step by step&#8230;\u201d. Bulletin issued by the Center of Medieval Studies of Auxerre | BUCEMA [Online], 20.1 | 2016, posted online July 19, 2016, accessed August 15, 2016. URL: [http:\/\/cem.revues.org\/14409] <a href=\"https:\/\/drive.google.com\/file\/d\/0B2_c18CTtwNaNjQ5NWRIM2MwaGM\/view?usp=sharing\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>LETURQUE, A., \u201cConcevoir et r\u00e9aliser un d\u00e9cor monumental au Moyen \u00c2ge en Catalogne : les exemples de Saint-Martin de Fenollar et de Sainte-Marie de la Cluse-Haute\u201d [Designing and implementing a monumental decoration in Catalonia in the Middle Ages: the examples of Saint-Martin de Fenollar and Sainte-Marie de la Cluse-Haute], <em>La peinture murale \u00e0 l&#8217;\u00e9poque romane, Les cahiers de Saint-Michel de Cuxa<\/em>, 2016, p. 117-128. <a href=\"https:\/\/drive.google.com\/file\/d\/0B2_c18CTtwNaZkVSRVZpZWs5aG8\/view?usp=sharing\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>BOSC, Marion, LETURQUE, Anne, \u201cLe devant d&#8217;autel d&#8217;Oreill\u00e0 : \u00e9tat de la question et regards techniques\u201d [The front of the altar of Oreill\u00e0: current status and technical perspectives], <em>Arts picturaux en territoires catalans (XIIe -XIVe si\u00e8cle) :<\/em> <em>approches mat\u00e9rielles, techniques et comparatives<\/em> (dir.G\u00e9raldine Mallet, Anne Leturque), Presses universitaires de la M\u00e9diterran\u00e9e, Montpellier, 2015, p. 101-123.<\/li>\n<li>CASTI\u00d1EIRAS, Manuel, LETURQUE, et alii, &#8220;Histoire et perspective des peintures de Saint-Sauveur de Casesnoves : la restitution 3D de l&#8217;\u00e9glise et de ses d\u00e9cors peints [History and perspective of the paintings of Saint-Sauveur de Casesnoves: 3D rendering of the church and its painted decoration], <em>Arts picturaux en territoires catalans (XIIe -XIVe si\u00e8cle) : approches mat\u00e9rielles, techniques et comparatives<\/em> (dir.G\u00e9raldine Mallet, Anne Leturque), Presses universitaires de la M\u00e9diterran\u00e9e, Montpellier, 2015, p. 171-198.<\/li>\n<li>LETURQUE, A., \u201cL&#8217;\u00e9glise de Sainte-Marie de Riquer et ses d\u00e9cors peints ext\u00e9rieurs, Le portail roman XIe -XIIe si\u00e8cles\u201d [The church of Sainte-Marie de Riquer and its exterior painted decorations; the Romanesque portal] \u2013 <em>Nouvelles approches, nouvelles perspectives, Les cahiers de Saint-Michel de Cuxa<\/em>, 2013, p. 189-195.<\/li>\n<li>LETURQUE, A., \u201cLe savoir technique dans l&#8217;art de peindre au Moyen \u00c2ge : les modes op\u00e9ratoires d\u00e9crits dans le Liber diversarum artium\u201d [Technical knowledge in the art of painting in the Middle Ages: the procedures described in the Liber diversarum artium], (MS. H277, Library of the Medical School of Montpellier), <em>In Situ<\/em>, Revue des patrimoines, November 2013 [online <a href=\"http:\/\/insitu.revues.org\/10646\">http:\/\/insitu.revues.org\/10646<\/a>].<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_fourth  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_three_fourth  avia-builder-el-last  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-3  avia-builder-el-no-sibling  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/www.magistrimediterranei.org\/wp-content\/uploads\/2017\/01\/anneleturque-226x300.jpg' alt='Leturque, Anna' title='Leturque, Anna' height=\"300\" width=\"226\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":628,"comment_status":"open","ping_status":"closed","template":"","tags":[],"portfolio_entries":[26],"_links":{"self":[{"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/portfolio\/569"}],"collection":[{"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/comments?post=569"}],"version-history":[{"count":1,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/portfolio\/569\/revisions"}],"predecessor-version":[{"id":654,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/portfolio\/569\/revisions\/654"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/media\/628"}],"wp:attachment":[{"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/media?parent=569"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/tags?post=569"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/en\/wp-json\/wp\/v2\/portfolio_entries?post=569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}