{"id":313,"date":"2016-07-13T10:59:59","date_gmt":"2016-07-13T10:59:59","guid":{"rendered":"http:\/\/www.magistrimediterranei.org\/en\/?post_type=portfolio&p=313"},"modified":"2021-01-04T11:41:58","modified_gmt":"2021-01-04T11:41:58","slug":"sanchez-marquez-carles","status":"publish","type":"portfolio","link":"https:\/\/www.magistrimediterranei.org\/en\/item\/sanchez-marquez-carles\/","title":{"rendered":"S\u00e1nchez M\u00e1rquez, Carles"},"content":{"rendered":"

S\u00c1NCHEZ M\u00c1RQUEZ, CARLES<\/h1>\n
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BIOGRAPHY<\/h3>\n

Carles S\u00e1nchez (Ph.D., Universitat Aut\u00f2noma de Barcelona) is Professor of Medieval Art History in the Universitat Aut\u00f2noma de Barcelona\u00a0and the UNED (Universidad Nacional de Educaci\u00f3n a Distancia).<\/p>\n

He holds a doctorate\u00a0in the organization of Romanesque’s cathedrals workshops <\/em>of the 11th<\/sup>\u00a0and 12th \u00a0<\/sup>in Spain<\/em>, mainly focused on architects, sculptors and masons, supervised by Prof. Dr. Manuel Casti\u00f1eiras (Universitat Aut\u00f2noma de Barcelona).\u00a0 Previously, he submitted a Thesis for a master degree on\u00a0Romanesque sculpture in Navarre and the Crown of Aragon.<\/p>\n

In July 2014, he\u00a0was awarded with an Andrew W. Mellon Fellowship to support research in the context of the\u00a0Santiago Cathedral Project. <\/em>The fellowship is <\/em>provided by The Complutense Foundation and the Barri\u00e9 Foundation, in collaboration with the Santiago Cathedral Foundation, the Real Colegio Complutense at Harvard and the Spanish Cultural Heritage Institute (IPCE). The project was focused on the study of the Relationship between the sculpture of the Portal of Glory and the Mediterranean (Barcelona, Pisa, Provence). <\/em><\/p>\n

Since 2011 he has been working as a researcher and coordinator of the project\u00a0Encyclopaedia of Romanesque Art in the Iberian Peninsula.<\/em>\u00a0<\/em>The research was\u00a0carried out by the\u00a0Fundaci\u00f3n Santa Mar\u00eda la Real (FSMLR) – Centre for Romanesque Studies, which conducted the main research for the recovery and\u00a0dissemination of archaeological heritage. He collaborated in the Encyclopaedia\u2019s volumes regarding Barcelona, Tarragona, Lleida and Girona, with more than 50 articles. He is general coordinator of the UAB’s research project\u00a0Artists, Patrons and Audiences. Catalonia and the Mediterranean (11th-15th centuries)\u00a0\u2013MAGISTRI CATALONIAE<\/em>\u00a0<\/em>(HAR2011-23015), managing the\u00a0Index Magistri Cataloniae<\/em>, a digital database of Catalan medieval artists and workshops. He also takes part in the new research group MAGISTRI CATALONIAE, of the Universitat Aut\u00f2noma de Barcelona, in association with the Departament d’Art i Musicologia (UAB).<\/p>\n

He\u00a0coordinated the\u00a0I Magistri Cataloniae International Symposium<\/em><\/a>:<\/a>\u00a0“Artista an\u00f2nim, artista amb signatura. Identitat, estatus i rol de l’artista en l’art medieval”, which was organized by the research project Magistri Cataloniae and the Museu Episcopal de Vic (2014). In addition,\u00a0he has collaborated in the organization of several exhibitions such as “Pintar fa mil anys. Els colors del Rom\u00e0nic”<\/a>\u00a0(31 May-14 December 2014), which was organized by the Museu Episcopal de Vic\u00a0with the collaboration of the research project MAGISTRI CATALONIAE, the CETEC-patrimoni (IQS-UAB) and the Centre de Restauraci\u00f3 de B\u00e9ns Mobles de Catalunya. Recently, he has been part of the Organizing Committee of the exhibition The Episcopal See of \u00c8gara <\/em>(5 June 2015 \u2013 28 February 2016).<\/p>\n

His researches focus on the study of Romanesque Art \u2013 artists, sculpture, mural painting and Romanesque portals\u2013, as well as in the Pilgrimage to Saint James and the spread of<\/em>\u00a0St Nicholas\u2019 cult in the Iberian Peninsula. <\/em>\u00a0He has presented their research results in various conferences held at the Scuola Superiore Normale of Pisa (Index Magistri Cataloniae. <\/em>Artisti tra anonimato e firma nella Catalogna e nel bacino Mediterraneo<\/em>), Perpignan (L\u2019anonymat et la signature des artistes dans la Catalogne et le bassin m\u00e9diterran\u00e9en<\/em>) and Barcelona (Marginalia, exempla i temes profans en la decoraci\u00f3 palatina catalana dels segles XIII i XIV<\/em>, MNAC 2014). He also participated in the III Romanesque Conference organized by the British Archaeological Association (2014) with the conference An Anglo-Norman at Terrassa? Augustinian Canons and Thomas Becket at the End of the 12th century. <\/em><\/p>\n

Furthermore, he has published several articles in academic journals such as\u00a0 Iconographica, <\/em>Ad Limina<\/em>,\u00a0<\/em>Codex Aquilarensis<\/em>,\u00a0<\/em> Cahiers de Saint-Michel de Cuxa<\/em>, etc. He is member of the scientific committee of Romanico<\/em>. Moreover, he is editor of\u00a0Porticvm, Revista d\u2019Estudis Medievals<\/em>, a journal for young researchers in medieval art and history.<\/p>\n

He is general coordinator of this Research Project of the MICINN \u201cArtistas, Patronos y P\u00fablico. Catalu\u00f1a y el Mediterr\u00e1neo (s. XI-XV) \u2013 MAGISTRI CATALONIAE\u201d <\/i>(HAR2011-23015) during the period 2012-2014.\u00a0Carles S\u00e1nchez is also part of the new GRUP DE RECERCA (GdR) [research group] MAGISTRI CATALONIAE, of the Universitat Aut\u00f2noma de Barcelona, in association with the Departament d’Art i Musicologia (UAB).<\/p>\n<\/div>\n<\/div>\n

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PUBLICATIONS<\/h3>\n