{"id":296,"date":"2016-07-13T09:56:15","date_gmt":"2016-07-13T09:56:15","guid":{"rendered":"http:\/\/www.magistrimediterranei.org\/ca\/?post_type=portfolio&#038;p=296"},"modified":"2016-07-13T09:56:15","modified_gmt":"2016-07-13T09:56:15","slug":"molina-figueras-joan","status":"publish","type":"portfolio","link":"https:\/\/www.magistrimediterranei.org\/ca\/item\/molina-figueras-joan\/","title":{"rendered":"Molina Figueras, Joan"},"content":{"rendered":"<div class=\"flex_column av_three_fourth  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_one_fourth  avia-builder-el-first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h1 class=\"pos-title\">MOLINA FIGUERAS, JOAN<\/h1>\n<div class=\"pos-summary\">\n<div class=\"element element-textarea first last\">\n<div class=\"pos-description\">\n<div class=\"element element-textarea first last\">\n<h3>BIOGRAFIA<\/h3>\n<p>Joan Molina (Girona, 1965) \u00e9s professor titular d\u2019Art Medieval de la Universitat de Girona des de 1997. Des de la seva etapa com a becari predoctoral fins a l\u2019actualitat ha gaudit d\u2019estances d\u2019estudi en diversos centre de recerca nacionals i internacionals, entre els que destaquen el Warburg Institut de Londres (1993), la Biblioteca Hertziana de Roma (1995 y 1999), l\u2019\u00c9cole Fran\u00e7aise de Roma (2002) i el Kunsthistoriches Institut de Flor\u00e8ncia (2009).<\/p>\n<p>Des de fa uns anys, i despr\u00e9s d\u2019un primer per\u00edode centrat en l\u2019estudi de la iconografia tardo-g\u00f2tica catalana- objecte de la seva tesi doctoral i de diversos assajos paral\u00b7lels\u2013, els seus interessos es concentren en l\u2019estudi dels inicis de la catedral g\u00f2tica de Girona i en les relacions entre art i poder a la cort napolitana d\u2019Alfons el Magn\u00e0nim.<\/p>\n<p>\u00c9s autor dels llibres <i>Arte, devoci\u00f3n y poder en la pintura tardog\u00f3tica catalana<\/i> Murcia: Servicio de Publicaciones de la Universidad de Murcia, 1999 i <i>Fragments de l\u2019art g\u00f2tic a Girona<\/i>, Girona, Diputaci\u00f3 de Girona, 2008.<\/p>\n<p>Aix\u00ed mateix, ha estat comissari de les exposicions <i>Bernat Martorell i la tardor del g\u00f2tic catal\u00e0<\/i>,<i> <\/i>Museu d\u2019Art de Girona, 2003 y <i>Joan Margarit i la seva \u00e8poca<\/i>,<i> <\/i>Girona, Fundaci\u00f3 Caixa de Girona, 2006.<\/p>\n<p>Ha publicat prop de quaranta articles en revistes nacionals i internacionals aix\u00ed com en actes de congressos i llibres miscel\u00b7lanis.<\/p>\n<\/div>\n<\/div>\n<div class=\"pos-summary\">\n<div class=\"element element-textarea first last\">\n<h3>PUBLICACIONS<\/h3>\n<ul>\n<li>MOLINA, J., &#8220;Iconos marianos, leyendas y monarqu\u00eda en la Corona de Arag\u00f3n (s. XIII-XV)&#8221;, <i>Hortus Artium Medievalium<\/i> 20 (2014), II, pp. 209-217<a href=\"https:\/\/drive.google.com\/file\/d\/0B2_c18CTtwNaZXAtQ3NhbnRBaWs\/view?usp=sharing\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>MOLINA, J., &#8220;Sotto il segno d&#8217;Oriente. La monarchia catalano-aragonese e la ricerca del sacro nelle terre del levante mediterraneo&#8221;,\u00a0<em>Representations of Power at the Mediterranean Borders of Europe (12th-14th Centuries)<\/em>. Edited by\u00a0I. Baumg\u00e4rtner, M. Vagnoni and M. Welton, Firenze, SISMEL &#8211; Edizioni del Galluzzo, 2014, p. 71-90 <a href=\"https:\/\/drive.google.com\/file\/d\/0B2_c18CTtwNaVGxsbnZUZWxzLW8\/view?usp=sharing\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>MOLINA, J., \u201cRh\u00e9toriques visuelles et d\u00e9bats historiographiques autour de la Naples angevine\u201d, <i>Perspective. <\/i><i>Revue de l\u2019INHA<\/i>, 1-2 (2010-2011), p. 123-131. <a href=\"https:\/\/docs.google.com\/open?id=0B2_c18CTtwNaMlJjMVg4empJVkU\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>MOLINA, J., \u201cIl factotum della cattedrale. Arnau de Montrodon e la nuova sede gotica di Girona (1312-1347)\u201d, <i>Medioevo: I commitenti. XIII Convegno Internazionali di Studi<\/i>\u00a0 (Parma 21-26 septiembre 2010),<i> <\/i>Parma, 2011, p. 525-546. <a href=\"https:\/\/docs.google.com\/open?id=0B2_c18CTtwNadkc2a3FpLUtKT0U\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>MOLINA, J., \u201cContra Turcos. Alfonso d\u2019Aragona e la retorica visiva della crociata\u201d, <i>La battaglia nel Rinascimento meridionale. <\/i><i>Moduli narrativi tra parole e immagini<\/i>,<i> <\/i>Roma, 2011, p. 97-110. <a href=\"https:\/\/docs.google.com\/open?id=0B2_c18CTtwNaV1lsYzFXRGZDY28\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>MOLINA, J., \u201cIl trono in fiamme del re. La metamorfosi arturica di Alfonso il Magnanimo\u201d, <i>Rassegna Storica Salernitana<\/i>, 56 (2011), p. 11-44.<\/li>\n<li>MOLINA, J., \u201cLa m\u00e8moria de les pedres. Fundaci\u00f3 i esplendor d\u2019un convent dominic\u00e0 a la Girona baixmedieval\u201d,<i> La universitat de Girona<\/i>, Girona, 2011, p. 165-189. <a href=\"https:\/\/docs.google.com\/open?id=0B2_c18CTtwNaeG5WMHlzWkJhRXM\" target=\"_blank\">[PDF]<\/a><\/li>\n<li>Molina, J. \u201cGli artisti del re nel Trecento Aragonese\u201d,Annali della Scuola Superiore Normale di Pisa Serie IV, 16 (2008) pp. 193-213. <a href=\"https:\/\/docs.google.com\/open?id=0B2_c18CTtwNaQm9KbkQydVdlOXc\" target=\"_blank\">[PDF]<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"pos-summary\" style=\"text-align: justify; line-height: 1.5;\"><\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/div><div class=\"flex_column av_one_fourth  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_three_fourth  avia-builder-el-last  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-3  avia-builder-el-no-sibling  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/www.magistrimediterranei.org\/wp-content\/uploads\/2016\/06\/joan-molina.jpg' alt='' title='joan-molina' height=\"302\" width=\"228\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":130,"comment_status":"open","ping_status":"closed","template":"","tags":[],"portfolio_entries":[22],"_links":{"self":[{"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/portfolio\/296"}],"collection":[{"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":0,"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/portfolio\/296\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/media\/130"}],"wp:attachment":[{"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/media?parent=296"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/tags?post=296"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/www.magistrimediterranei.org\/ca\/wp-json\/wp\/v2\/portfolio_entries?post=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}